Years have passed since humanity's destruction emerged from the Breach.
Friendless and alone he walks across a desolate, war-torn landscape.
As each day passes the world tumbles further into depravity, bent and twisted by the new order, corrupted by the Usurper, the enemy, and his infernal horde.
His purpose is to reach the Shining City, last bastion of the human race, and deliver the only weapon that may make a difference in the ongoing war.
What little hope remains is dying. Abandoned by its leaders, The Seven, and its heroes, The Seraph Knights, the last defences of a once great civilisation are crumbling to dust.
But the Shining City is far away and the world is a very dangerous place.
This book is a slow start for me and it didn't really pick up until about two-thirds through. The slowness is not because of the story telling quality (which I like), but more of me having issues with some of the protagonists' actions than anything else. Some authors can carry insensitiveness and idiocy through with aplomb. This one hit a bit of a snag. Not big, mind. But a snag none-the-less. That brought the character development a few points down. But on the plus side, a factor which made me plod on with this book is the tantalizing idea of Vesper as hinted at in Book 2. I want to read more about Vesper but to do that I gotta read Book 1 first. Thus this book got read through. Now, post-apocalyptic worlds are not my kind of thing, but this one was woven beautifully. That brought the rating of this book up considerably.
I like Jot Davies's narration, but I think his reading is just a tad bit slow. No problem! I can set the reading to go faster in the audible app. Problem solved! Do I like the app? Heck, yeah!
Empirical Evaluation:
Story telling quality = 4
Character development = 3.5
Story itself = 3.5
Writing Style = 4
Ending = 4
World building = 4
Cover art = 4
Pace = (13 hrs and 25 mins listening time)
Plot = 4
Narration = 4
Peter Newman lives in Somerset with his wife and son. Growing up in and around London, Peter studied Drama and Education at the Central School of Speech and Drama, going on to work as a secondary school drama teacher. He now works as a trainer and Firewalking Instructor. He sometimes pretends to be a butler for the Tea and Jeopardy podcast, which he co-writes, and which has been shortlisted for a Hugo Award.
Jot Davies is a television and voice actor who recorded dozens of audiobooks, including Ben Goldacre’s Bad Pharma and multiple works by Charles Cumming and Paul Strathern. In reviewing his narration of A Foreign Country, AudioFile magazine praises, “Davies’s narration ushers you in” and his “pacing fits the narrative,” calling his voice “a steady presence through the disparate events from the beginning to the satisfying conclusion.” Outside of narration, his acting credits include television shows Casualty, New Tricks and Hotel Babylon and the video game Haze.
The next action-packed romantic thriller from the author of Night Hush and Bait…
On a secret assignment for MI-5, British SAS soldier Trevor Carswell is deep undercover with The Philosophy of Bedlam, a home-grown anarchist group responsible for several museum bombings. He's on the brink of unearthing their motives when Scotland Yard foils their latest attack. Desperate to escape, the Bedlamites take civilian hostages — among them, a woman Trevor never expected to see again.
American political analyst Shelby Gibson is stunned when she recognizes Trevor, her one-time lover, brandishing a shotgun in the lobby of the August Museum of Modern Art. He's the last man she'd ever trust, but Trevor is no criminal, and he may be her only hope of getting out of the building alive.
With the woman he once loved in serious danger, Trevor will risk everything to get Shelby to safety, even if it means blowing his cover. As they search for the truth behind the bombings, Shelby and Trevor expose the powerful, desperate man pulling the anarchists' strings...and the half-century-old secret he'll kill to keep quiet.
Source: Info in the About Deep Cover was from the press kit from the publicity team.
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Excerpt:
June 10. 11:58 p.m.
Canary Wharf, London
“You’re asking for trouble.”
Trevor Carswell ignored the uneasy voice. He watched the long black limousine creep into the construction site near the north dock of Canary Wharf, in the shadow of the tall HSBC building. The huge cranes at the dock sat as silent sentinels this time of night. He moved out of the shadows so the limousine’s driver could see him. Eric Koller followed him. The limo changed direction and eased to a stop forty feet away. The driver killed the engine and flipped off the headlights.
Trevor stayed put. He could feel Eric’s anxiety pulsing behind him. The construction site seemed eerie and a fitting place for this meeting. A jaw crusher sat perpendicular to two ten-foot stacks of gravel; an equally tall pile of long pipes hemmed him in on the other side. Nothing moved. Even the hum of the few cars still out at midnight seemed far away.
After an endless minute, a man emerged from the front passenger seat and walked toward them.
Eric tensed up, muttering something.
“…dangerous….”
Of course it was dangerous. This whole mission was dangerous; but insisting on meeting the brains behind the anarchists who called themselves the Philosophy of Bedlam was doubly so. A calculated risk. It was a good sign that the man had agreed to meet, but that didn’t lessen the pucker factor one whit.
Nor did the fact that he had the cell’s leader at his back.
The man from the car stopped a few feet away. “All right, Eric?”
Eric nodded, but didn’t come forward. “No one followed us, Mr. Smith. It’s all gravy. This is Trevor Willoughby. Like I told you, we fought together in Northern Ireland back in the day. He’s sound.”
The man frowned. His short, compact body looked soft to Trevor. Neat hair stopped well above the collar of his starched white shirt. The creased wrinkles in the shirt told Trevor he’d worn a suit jacket today. “So what’s the purpose of this meeting, Willoughby?”
“I meet the man I’m risking my life for. I take his measure, or I walk.” As he had when he’d been undercover as a new officer with the Special Air Service, he dropped his voice into a growl. Rough. Threatening.
Mr. Smith continued to scowl. Trevor supposed he was trying to look threatening, but his attempts were laughable.
“Very well,” the man said finally. “Our focus is the ridiculous trappings of a corrupt society. People need to wake up and realize how much government money is spent on useless pastimes like making movies instead of feeding the poor.”
Trevor feigned outrage. “On that we agree. It’s bollocks that faux celebrities warp public opinion. They’re not the gods they pretend to be. They’re just stupid, self-centered fools. But it’s been proven time and again that socialism doesn’t work.”
Mr. Smith’s lip curled. “Socialism is just another form of bondage. A privileged few ruling sheep. We’re for Great Britain shaking off the blinders, so our people realize government does not have their best interests at heart. Skewed policies keep Britons as little more than slaves.”
“We don’t need a government to control us,” Eric said. “It’s long past time the English butt out of our business and let us live as we want. In Ireland and everywhere else.”
“I hear you.” Trevor nodded to show he understood. “Now, how about the meeting I asked for? I talk to your boss. I thought I made it clear. I don’t deal with flunkies.”
Mr. Smith widened his arms, turning his palms up as if to say, “Here I am.”
Eric frowned. “Jaysus, Trev. You’re gone in the head. Stop messing about.”
Trevor’s lip curled. “Not bloody likely. He’s just a kiss-ass. I want to talk to the real Mr. Smith.”
Both the man and Eric shot Trevor startled looks.
“What makes you think—”
“He is the—”
Trevor cut a hand through the air, effectively stopping both men. “No. You’re not. I want to talk to the man in the back of the limousine, not the lackey in the front.”
The man stilled. Trevor read the indecision on his face.
“Now. Or stop wasting my fucking time,” he snapped. His mission hinged on finding the brains behind the brawn. If Eric’s cell fell, another would simply rise to take its place.
Finally, the man shrugged and walked back over to the limousine. The back window rolled down, and the man bent over to speak to whoever was inside. When he returned, he jerked his head at Trevor.
“He’ll talk to you.”
Trevor stalked past him, Eric and the man following. The driver exited the vehicle on an intercept course. Massive shoulders and bulging biceps declared him the muscle. He put out an arm, halting them.
“Just him,” he said, pointing a sausage-sized finger at Trevor.
Annoyance flashed across Eric’s face, but he obediently wandered to the bonnet of the limousine and lingered there, lighting up as he waited. The flunky returned to his seat in the front of the limousine.
“Arms out,” the driver said, voice and face expressionless.
Trevor raised his arms and suffered the man to pat him down. He found Trevor’s .380 and stuffed it into his belt. Jerking his head, he led the way to the back and opened the door. Trevor ducked inside, settling into the seat directly opposite a man sitting in the deepest shadows.
Trevor could barely make out the graying blond hair and lines on the fifty-ish face. The unwelcoming stare. The real Mr. Smith had a slender build and wore an unbuttoned suit coat.
“Always a pleasure to meet Eric’s friends.” The cultured voice rolling out of the darkness contained an undertone that wasn’t British English. Trevor strained to identify it.
“So who’s the suit? He looks like a bloody bureaucrat. Come to think of it, so do you.”
The man’s dry chuckle held little humor. “He’s no one of consequence. My accountant. And I assure you that I am no bureaucrat. Just a man who sees a problem that needs repairing. Now. To what do I owe the honor?”
Trevor leaned forward, looking directly into the man’s eyes. He seemed vaguely familiar, but Trevor couldn’t put a name to the face. “I make it a habit to know exactly who I’m working with before I risk my life. No exceptions.”
“An understandable precaution.” His tone suggested he did the same.
“So precisely who are you? Why would a suit want to dismantle our government?”
The man’s voice grew icy. “As far as you’re concerned, I’m Mr. Smith. Consider me the money. As for as anything else, my reasons are mine alone.”
Trevor sat back, dropping his voice even lower. “Well, that bloody well explains nothing.”
Mr. Smith tapped his fingers on his leg. “I’m meeting you as a courtesy to Eric. Don’t overstep your place. You’re easily replaceable.”
“Untrue. Each person in your cell brings his own expertise to the table. Safecracker, arsonist, hacker. I’m the only explosives expert.
Your last bloke blew himself to bits, I believe?”
The head of the joint MI-5/SAS task force, Brigadier Lord Patrick Danby, had informed Trevor that the dead man was the only clue to finding the anarchists. They identified him through dental records as Jing-sheng Qiū. He had been a textile mill worker in Leeds before moving to London and joining the Philosophy of Bedlam.
Mr. Smith slashed a hand through the air. “An unfortunate turn of events.”
Unfortunate? A man had died. A terrorist, to be sure, but Smith’s callous disregard for Qiū’s life vibrated in the quiet of the limousine.
“The man knew shite,” Trevor said, burying his disgust.
“I trust you will not make the same mistake?”
He forced himself to laugh. “Not bloody likely. Pipe bombs are some of the most dangerous to use. Even something as small as static electricity can set them off. As Eric tells me, Qiū was fifty feet away when it exploded, and the shrapnel still killed him. I prefer plastic explosives. PE-4. Stable until detonated.”
“And you can acquire this?”
“Already have. My question is, why should I waste it on you?” Trevor had to walk a razor wire to learn who the head of the snake was, and to be accepted as an anarchist.
Mr. Smith nodded. “A fair question. Let’s just say I have certain interests in the weapons arena. Government agencies scrambling to stop terrorist bombings won’t be searching for me.”
He was an illegal arms dealer? Maybe that’s where Trevor had seen him—on a wanted poster. He sat back in the soft leather. “So this isn’t about ideology for you. Just money.”
Mr. Smith laughed. “There’s no such thing as ‘just’ money, Mr. Willoughby. Now. I’ve answered your questions. You answer mine. Do you support the anarchist philosophy of my Bedlamites?”
The cover MI-5 had given him was rock solid. No one here knew he was Trevor Carswell, British SAS. Trevor had known what lies he would tell before he insisted Eric introduce him to Mr. Smith. “I don’t give a shit what your anarchist philosophy is. I want to bring the government to its knees. Starting with the bloody National Health Service all the way up to Her Fucking Majesty and Parliament. If you’re the real deal, I’m in.”
“Why?”
“That’s none of your business. Just be assured I’ll do what needs doing.”
The man stared at Trevor for a moment, then picked up a file folder from the seat next to him. “But it is my business. I, too, make a point to know with whom I’m dealing.”
He opened the folder and flipped up the top page. “Trevor Willoughby, born April 23, 1980, to blue-collar parents. The oldest of five children, which kept your parents poor. Spent your teenage years getting into fights. Vocally critical of the disparity between the social classes. Joined the Provisional IRA in 2004, left in 2005 to join those trying to reestablish the Saor Éire, which failed. Was there not enough action for you, Mr. Willoughby?”
Trevor didn’t answer. So far, his cover was holding.
Mr. Smith shrugged, and flipped to a new page. “Married in 2011, divorced in 2012, when you caught your wife cheating. You beat the man half to death and spent eighteen months in prison for it. Daughter diagnosed with a rare form of leukemia while you were being detained at Her Majesty’s pleasure at Gartree. National Health Service wouldn’t cover the cost and you couldn’t. Daughter died last year.”
“All right,” Trevor gritted out. “Enough.”
Mr. Smith put the folder back on the seat. “You’ll get your chance with the NHS, Mr. Willoughby. But I have something else in mind, first. Are you interested?”
Leslie writes military suspense with a dash of romance. She loves alpha heroes and strong heroines. She is truly grateful to the men and women of our Armed Forces for their dedication and sacrifice. It is because of them that we sleep well at night.
She's been an IT geek, a graphics designer, an Army intelligence officer and an Army wife. She draws on her military experiences when she writes.
She's lived in Alaska, Korea, Belgium, Germany, and various other exotic locations (including New Jersey). Moving every few years made her an expert in relocation. Thankfully, she's been stable in one state for more than twelve years now. There aren’t many who understand her love for the raw, primal beauty of the Southwestern desert. It teems with life. It boils life down to its essence. Survive, or don’t.
She's a member of the Romance Writers of America and the Desert Rose RWA, where she served on the Board of Directors from 2012-2014. Her novels are available from HarperCollins Publishers, Barnes & Noble and Amazon. She is represented by Sarah E. Younger of the Nancy Yost Literary Agency in New York.
She's a wife and mother, and splits her time between Scottsdale, Arizona and Cincinnati, Ohio.
Debutante dropout Andrea Kendricks is beyond done with big hair, big gowns, and big egos—so being dragged to a high-society Texas wedding by her socialite mama, Cissy, gives her a bad case of déjà vu. As does running into her old prep-school bully, Olivia La Belle, the wedding planner, who's graduated to berating people for a living on her reality TV show. But for all the times Andy wished her dead, nobody deserves Olivia's fate: lying in a pool of blood, a cake knife in her throat—but did the angry baker do it?
Millicent Draper, the grandmotherly owner of Millie's Cakes, swears she's innocent, and Andy believes her. Unfortunately, the cops don't. Though Andy's fiancé, lawyer Brian Malone, is handling Millie's case, she's determined to spring Millie herself. But where to start? "La Belle from Hell" had enemies galore. Good thing Andy has a BFF who's a reporter— and a blue-blood mother who likes to pull strings.
Source: Info in the About Say Yes To Death was from the press kit from the publicity team.
Susan McBride is the USA Today bestselling author of Blue Blood, the first of the Debutante Dropout Mysteries. The award-winning series includes The Good Girl's Guide to Murder, The Lone Star Lonely Hearts Club, Night of the Living Deb, and Too Pretty to Die. She's also the author of The Truth About Love and Lightning, Little Black Dress, and The Cougar Club, all Target Recommended Reads. She lives in St. Louis, Missouri, with her husband and daughter.
When Rory’s visa runs out on the cusp of his big Hollywood break, Sara insists that he marry her to get a green card. In a matter of weeks they’ve gone from being friendly work colleagues to a live-in couple, and it’s all grand . . . except for Sara’s dog, Cody, who had been a gift from Sara’s sociopath ex-boyfriend. Sara’s over-attachment to her dog is the only thing she and Rory fight about.
When Rory scores both his green card and the lead role in an upcoming TV pilot, he and Sara (and Cody) prepare to move to Los Angeles. But just before their departure, Cody is kidnapped by Sara’s ex—and it is entirely Rory’s fault. Sara is furious and broken-hearted. Desperate to get back into Sara’s good graces, Rory takes off and tracks Cody and the dog-napper to North Carolina. Can Rory rescue Cody and convince Sara that they belong together—with Cody—as a family? First they’ll need to survive a madcap adventure that takes them all across the heartland of America. STEPDOG is a refreshing and hilarious romantic comedy that asks: How far would you go for the one you love?
Source: Info in the About Stepdog was from the press kit from the publicity team.
NICOLE GALLAND is the author of five previous novels: The Fool’s Tale, Revenge of the Rose, Crossed, I, Iago and Godiva. A native of Martha’s Vineyard, she graduated from Harvard University and studied Dramatic Literature at UC Berkeley, then divided her time between California and New York City for many years, before returning to the Vineyard to stay (except for when she’s somewhere else, like Boston). She is the co-founder of Shakespeare for the Masses at the Vineyard Playhouse, and writes a cheeky etiquette column for the Martha’s Vineyard Times. She is married to actor Billy Meleady and owns Leuco, a dog of splendid qualities.
